"Stuck": a dark look at human apathy

This is just rude:

For a woman of buzz lasts standing in front of his car without looking at his bumper Tiznen of breaking your leg on it, completely louse up your windshield by falling through it, then get your blood in your upholstery , And then - rudest of all - not to die quickly so that she can go forward with their lives.

"Why are you doing this to me?" shouts Brandi (Mena Suvari), the homeless rate (Stephen Rea) Impala in his car.

A nasty little thriller black comedy and social satire, "Stuck" premise is sometimes more compelling than his laborious execution. But even though it may seem a long way in just 85 minutes, it's worth by the time things finally begin to spiral into hell.

It is a pulped to have a real incident in 2001 whose disease microcosm of our self-absorption and lack of concern for others that puts it on Kitty Genovese list of reasons why humans should go Extinct. (She was the wife of New York stabbed to death in 1964, while large numbers of neighbors who witnessed and did nothing.)

The author is cult director Stuart Gordon, known for his adaptations of horror legends of HP Lovecraft's work, such as "Re-Animator", which are pleasant but frustrating for the camp that injects - when the horror of Lovecraft not contain as much as Cyclopean a wink. Low-key "Stuck" does not resemble Gordon's previous flicks as well as lower income "Blood Simple".

In Providence, RI (a tribute to Lovecraft, and not the actual crime of place in Texas), two are condemned to lives intersect.

Tom (Rea, whose hangdog face makes it perfect) is having the worst day of his life. Unemployed, evicted and blow around in the style of Kafka in the unemployment office, can not even get a break that the police found sleeping on a park bench. He has to walk into the city to a haven.

Brandi (Suvari, sporting cornrows horrendous) is having a murderer day. A compassionate nursing assistant which will not relent when it's time to clean up a chronic patient who soils himself, for it is a great promotion, but still has to toe the line under the greatest scrutiny of his demanding boss . Is held in a nightclub, drinking and doing ecstasy with your dealer boyfriend (Russell Hornsby).

High and panic when it crosses with Tom at high speed, zooming home with the poor bastard hang on your windshield, and then they're stuck in both their own means.

While there is no reason to doubt for a second that people are as stupid, trashy, cowardly and immoral in a pinch - and there is nothing wrong with the acting, either - Gordon does not sell Brandi fairly rapid transformation. His pace is generally outside a manner that makes what should be a little tense B-Shake drag, and a supporting cast of lesser caliber players joined in unpolished feel of the entire company.

However, stick with it and you feel like you've won a shower.